I am at Art Verona
Author: rubkirat
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Staying with My Own Language
There was never a moment when I decided to follow a trend.
The work has always moved at its own pace, shaped by architecture, memory, material and time. Reading The Language of the Moment made me reflect on how quietly that journey has unfolded. Sometimes, staying true to your own language is enough.
Grateful to be part of this conversation alongside fellow artists at Art Explore.
Read the essay here.
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A conversation

Every artwork begins long before I enter the studio.
In this conversation with art dose, I speak about the emotional residue of architecture, why the mehrab continues to return in my work, my relationship with wood, faith, ambition, and the importance of knowing when to stop.
One thought from the interview stays close to me.
“I spend more time removing than adding. Sometimes I feel the work already exists underneath and my process is about uncovering it slowly.”
If you would like to understand the ideas behind my practice, I hope you’ll take a few minutes to read the full interview.
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Fragments of Passage
Fragments of Passage brings together works that have grown out of an ongoing engagement with architecture, memory and material. While the mehrab continues to appear as a recurring form, it is no longer treated as an architectural element. It has become a way of thinking about thresholds, transitions and the spaces we carry within us.

These works are built slowly. Layers are added, removed and reworked until the surface begins to hold its own history. Wood, paper and found materials each carry traces of time, allowing the work to develop through process rather than certainty.
I have never been interested in recreating places. I am interested in what remains after we leave them. Memory is rarely complete. It survives in fragments, in impressions, in details that return unexpectedly. This body of work accepts that condition, allowing incomplete narratives to exist without demanding resolution.
Fragments of Passage reflects my continuing search for a visual language that balances structure with intuition, restraint with emotion, and the physical presence of material with the quieter experience of remembrance.
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Holding the Gaze
Holding the Gaze is built on a simple idea. Stay longer than you usually would.
The exhibition brings together works that unfold through time. Muted surfaces. Reduced forms. Subtle shifts in tone and material. Nothing competes for attention. Each work holds its ground and asks the viewer to meet it there.
The show draws from the idea of Eigengrau, the colour seen when the eyes are closed. That field between darkness and perception. A space where vision slows and adjusts.
The exhibition values presence. It asks for patience. It invites you to stand, look, and allow the work to reveal itself gradually.
Holding the gaze becomes an act of care. A way of seeing that deepens through duration.
Artists: ABHIJIT PATHAK, BALASAHEB CHAUDHARI, RUBKIRAT VOHRA, KIYOMI TALAULICAR, HARPREET NARULA AND MALCOLM FERNANDES







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Less Accidental
A journey inward, both distant and near.


I keep returning to my shadow. It follows without asking. It appears when I stand still. It stretches when I move. In earlier images, I began noticing it as a quiet companion. Now, in these new photographs, it feels more deliberate. Less accidental.
A shadow is distance and closeness at once. It is attached to the body, yet separate. It mirrors form without revealing detail. It carries presence without identity. I see it as a reminder that we are always in dialogue with parts of ourselves we cannot fully understand.
Near enough to recognise. Distant enough to question.
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Design ID 2026
A good art practice needs exposure beyond its own lane.

Being at India Design ID was that for me. A chance to step into the design world and observe how material, function and space are approached with a different mindset. The conversations are different. The pace is different. The audience looks at objects with a question of use before emotion. That shift matters.
Walking the fair gave me perspective. It pushes me to think about how my work occupies space outside the white cube.
Design sharpens you. It forces clarity. It asks how something lives in the real world.
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A big thank you

I want to thank everyone who showed up and engaged with my work. Fellow artists who shared honest conversations. Collectors who trusted the work enough to live with it. Viewers who spent time, asked questions, looked closely. Family and friends who stood quietly behind the scenes. Every response mattered.
The experience left me humbled. It reminded me why I chose this path. The energy in the space was rare. Thousands of visitors stopping to take photographs. Buyers choosing works with care. Endless curiosity around process, material, and technique. Real dialogue. Real attention. This is what artists dream of.

It felt surreal and grounding at the same time. A moment where effort meets grace. I hold deep gratitude to the almighty for allowing me to witness something like this. These moments stay with you long after the lights come down.
This response gives me fresh vigour. It raises the bar for the work ahead. I feel a stronger responsibility to go deeper, to stay honest, to keep pushing the practice forward. Thank you for believing in the work and in the journey.
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At the India Art Fair
This February I will be at the India Art Fair with my gallery Art Explore. You will find us at Booth C10 from the 5th to the 8th.
I am bringing a new body of abstract works on wood. These pieces carry my ongoing interest in memory, architecture, and lived experience. Wood remains central to my practice. It holds time. It resists control. It asks for patience and honesty in return.

Alongside these, I will also present smaller, more intimate works on paper. These works feel closer to the hand and to the moment. They allow space for quiet gestures and subtle shifts. They sit somewhere between thought and instinct.
This is my debut at the India Art Fair. It feels meaningful to share this work here, at this point in my journey. I am excited to show, to meet viewers, and to have real conversations around the work.
If you are visiting the fair, I would love for you to stop by, spend time with the works, and see how they speak to you.
Art Explore, Booth C10
India Art Fair
5 to 8 February -
The journey continues

With my gallerist Reshma Chordia I look back at my journey with a kind of quiet astonishment. Life rarely gives clear signposts. You sense a shift only when you see how far you have travelled. My entry into Art Explore arrived during a phase when my inner world felt blurry. As it is with most artists. My mind carried too much weight and my emotions moved with little structure. Art stayed steady while everything else kind of wavered. That steadiness kept me alive as an artist and as a person.
My first meeting with the gallery still feels fresh. The atmosphere eased me. I had walked in with hesitation layered over me, half expecting scrutiny or formality. Instead there was warmth, ease, simple conversation, and a feeling that I could breathe. I had spent years building my practice and I knew of the gallery through peers and fellow artists. Even so, the idea that they had been following my work long before reaching out surprised me. It felt like a quiet validation that came at a time when my self belief occasionally flickered.
Trust takes time. Faith takes longer. There is always a slow dance between an artist and a gallery. Each is figuring out the other. With Art Explore the rhythm settled almost naturally. Their mentorship shaped my thinking in ways I had been craving without fully realising it. Guidance came through questions, conversations, provocations and reminders. My ideas gained structure. My concepts found sharper edges. My work moved with a clearer pulse.
Before this phase my subconscious spoke in whispers that I struggled to decode. My intentions for each piece floated without full form. Over the past months something within me has opened. I have begun to understand my own mind with more clarity. Expression feels deliberate rather than scattered. The emotional residue that once clouded my thinking has eased. I still search, still question, still confront uncertainty, yet the search carries a stronger spine. Clarity does not arrive in a single moment. It unfolds. Working with the gallery has accelerated this unfolding.
Support came in many small ways and some large ones. Exhibitions, logistics, art fairs, feedback, introductions, honest conversations and simple reassurance. Each part matters. It is rare to find a team that cares about the full life of the work and the person behind it. The timing felt guided. I was ready for direction even if I was unaware of it. Some journeys align with an almost uncanny precision and this was one of them.
Art Mumbai affirmed all of this. Standing in that space and watching viewers interact with my work brought a rush of energy I had been missing for years. The warmth from collectors, buyers, visitors and peers gave me the sense that my efforts were finally reaching the audience I always hoped for. Each conversation added a spark. Each sale carried encouragement. Each moment of engagement grounded me again in the reason I create.
The fair renewed my spirit. It also showed me that a community surrounds my practice even when I retreat into solitude. That community includes people who support my journey silently, those who challenge me, those who invest in the work, and those who simply feel something when they encounter it. Art grows through this shared exchange. I left the fair with fresh direction, a stronger sense of purpose and a deeper commitment to the path ahead.
Looking back at the past year I see a kind of quiet destiny at play. I walked into Art Explore during a fragile phase and ended up finding an ecosystem that strengthened me. My ideas gained weight. My voice gained steadiness. My work gained freedom. A shift like this is rare and I feel grateful for it.
To everyone who engaged with my work at Art Mumbai and beyond, I feel a deep sense of appreciation. To the collectors who believed in the pieces, to the viewers who paused long enough to connect, to my fellow artists who shared space and energy, and to the gallery team that stood with me, thank you. You have all shaped the next chapter of my journey.
This phase has pushed me forward. I feel ready for larger risks, deeper research and a more open exploration of the ideas that keep calling me. The journey continues with renewed strength.